English

1987. “The Invisible Path. Ritual representation of suffering in Cuna traditional thought”Res – Anthropology and Aesthetics, n° 14, Automne 1987, Peabody Museum, Harvard University : 66-85.

1989b. “Primitivism without appropriation”Third Text, Vol. 3, n° 6, Spring 1989 : 61-64, Londres.

1993a. “Talking about souls. On the pragmatic construction of meaning in Cuna chants”, in P. Boyer (éd.), Cognitive aspects of religious symbolism, Cambridge, Cambridge University Press, 1993 : 165-181.

1994b. “Vestiges, wonders, chimeras. The ethnographical collection of the Polymathic Society of Morbihan”, Annales du Centre d’art contemporain du chateau de Kerguehennec, Vol. I : 14-18.

1997. “The kuna picture-writing. A study in Iconography and Memory”, in M. Salvador (ed.) The Art of Being Kuna, Layers of meaning Among the Kuna of Panama. Catalogue de l’Exposition, Fowler Museum of the University of California at Los Angeles, Los Angeles : 245-273.

1998b. “Margins, Echoes, Flashes. For Diego Esposito”, in Diego Esposito, Catalogue de l’exposition au Musée d’art contemporain de Pistoia, Skira, Genève-Milan : 146-147.

1998c. “Comment” in Michael F. Brown, “Can Culture Be Copyrighted ?” Current Anthropology, Vol.39, N.2 : 214-215.

2000b. “Paradoxes of primitivism”, in Jean-Hubert Martin, Partages d’exotismes. Catalogue de la 5 Biennale d’art contemporain de Lyon, Paris, Réunion des Musée Nationaux. Paris, Réunion des Musée Nationaux : 179-188.

2001a. “Cosmology, Crisis and Paradox. On the image of White Spirits in kuna shamanistic tradition”, in M. Roth, Ch. Salas (éds), Disturbing Remains : a comparative inquiry into the representation of crisis, Getty Institute for the History of Art and the Humanities Publications, Los Angeles, 2001.

2001b. “Illusion and ritual interaction”, Journal of Danish Anthropology, (CopenhagenTidsskriftet Antropologi), 41, 2000 : 83-99 (avec M. Houseman).

2002a. “Memory, Reflexivity and Belief. Reflections on the ritual use of language”Social Anthropology, Special Issue on Religious Reflexivity.

2002b. “Here and There : Supernatural Landscapes in Kuna Shamanistic Tradition”, in Jan Assmann et Rolf Trauzettel (éds.), Tod, Jenseits und Identität : Perspektiven einer kulturwissenschaftlichen thanatologie, Kal Alber Verlag, München : 587-612.

2003c. “American Indians Hieroglyphs. The case of Kuna Picture-Writing”, in : Jan et Aleida Assmann (éds.), Hyeroglyphen, Wilhelm Fink Verlag, München : 107-130.

2004b. “On the Anthropology of Memory”Jahrbuch des Wissenschaftskolleg zu Berlin, 2002-2003 : 156-158.

2004c. “Memory between image and narrative : an interdisciplinary approach”Jarbuch des Wissenschaftskolleg zu Berlin, 2002-2003 : 327-330.

2004d. “Capturing Imagination. A Cognitive Approach to Cultural Complexity”Journal of the Royal Anthropological Institute, Volume 10, Number 4, December 2004 : 815-838. Repris in: Graham Harvey (ed.), Ritual, Religion and Belief. A Reader, Londres, Equinox Publishers, 2005.

2005a. “Seeing, thinking, forgetting. Religious Images in the Work of an Artist”, in Jean-Hubert Martin (éd), Arte, religione, politica. Catalogue de l’exposition, Padiglione d’Arte Contemporanea, Milano : 26-29.

2006a. “Language”, in Jens Kreinath, Jan Snoek, Michael Stausberg (eds.) Theorizing Rituals : Issues, Topics, Approaches, Concepts. Brill, Leiden et Boston : 583-595.

2007a. “Learning to believe : a preliminary approach”, in D. Berliner, R. Sarro (éds), Learning Religion, Berg, Oxford : 25-41.